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Side B

from CORE REMISSION by Kashev

/
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    anon:​ ​abstraction​ ​is​ ​an​ ​objective​ ​for​ ​life​ ​patterning
    anon:​ ​production​ ​is​ ​what​ ​oils​ ​the​ ​gesture​ ​of​ ​the​ ​social
    anon:​ ​YOLO​ ​♥

    ***

    Abstraction​ ​as​ ​a​ ​hyper​ ​material​ ​enables​ ​a​ ​meta​ ​existence​ ​of​ ​motion,​ ​CORE​ ​REMISSION​ ​will unpack​ ​this​ ​notion​ ​through​ ​the​ ​mediums​ ​of​ ​painting​ ​and​ ​techno.

    Abstraction​ ​modulates​ ​reality,​ ​yet​ ​to​ ​enact​ ​it​ ​collectively​ ​it​ ​requires​ ​a​ ​physical​ ​field.​ ​The​ ​architecture​ ​of clubs​ ​and​ ​galleries​ ​often​ ​offer​ ​this​ ​territory.​ ​A​ ​public​ ​cube​ ​is​ ​always​ ​a​ ​place​ ​of​ ​latent​ ​potentials:​ ​near visibility,​ ​against​ ​almost​ ​constraint.​ ​One​ ​could​ ​liken​ ​these​ ​sites​ ​of​ ​collectivity,​ ​i.e.​ ​the​ ​club,​ ​the​ ​gallery,​ ​the cinema​ ​to​ ​voluntary​ ​prison​ ​cells​ ​for​ ​those​ ​seeking​ ​a​ ​moment​ ​of​ ​abstract​ ​hyper​ ​density​ ​outside​ ​of​ ​their constructed​ ​reality.

    YOLO​ ​often​ ​comes​ ​to​ ​mind​ ​when​ ​I​ ​think​ ​of​ ​abstraction.​ ​Thousands​ ​of​ ​novel​ ​or​ ​risky​ ​acts​ ​becoming reduced​ ​to​ ​a​ ​universal​ ​(un)unique​ ​after​ ​sound:​ ​YOLO.​ ​This​ ​neo-word,​ ​YOLO​ ​is​ ​both​ ​coltish​ ​and​ ​euphoric, as​ ​is​ ​any​ ​scene​ ​slang.​ ​The​ ​word​ ​seems​ ​to​ ​have​ ​hijacked​ ​both​ ​yellow​ ​and​ ​hello,​ ​mashing​ ​them​ ​into​ ​a hyper​ ​density​ ​gesture.​ ​A​ ​bold​ ​linguistic​ ​action.​ ​It​ ​renders​ ​both​ ​a​ ​moment​ ​of​ ​adrenaline​ ​and​ ​resignation​ ​into a​ ​cute​ ​contemporary​ ​cipher.​ ​The​ ​act​ ​requires​ ​a​ ​desire​ ​to​ ​become​ ​YOLO.​ ​Desire​ ​must​ ​bleed​ ​between​ ​life and​ ​the​ ​abstract.​ ​Knotting​ ​into​ ​turbulence,​ ​ruptures,​ ​and​ ​autonomous​ ​functioning​ ​cells​ ​to​ ​be​ ​able​ ​to​ ​exist.

    We​ ​can​ ​at​ ​this​ ​point​ ​likened​ ​desire​ ​to​ ​a​ ​scripted​ ​life​ ​scenario​ ​and​ ​abstraction​ ​as​ ​the​ ​overlay​ ​of​ ​all​ ​possible realities​ ​of​ ​the​ ​plot.​ ​Eventually,​ ​the​ ​script​ ​will​ ​turn​ ​into​ ​clandestine​ ​gossip,​ ​and​ ​we​ ​all​ ​know​ ​gossip​ ​is​ ​more stimulating​ ​than​ ​life.

    An​ ​exhibition​ ​or​ ​set​ ​list​ ​by​ ​its​ ​very​ ​nature​ ​is​ ​temporary​ ​and​ ​queer,​ ​much​ ​like​ ​gossip​ ​thus​ ​it​ ​remains​ ​a functional​ ​proposition.​ ​Be​ ​it​ ​a​ ​colour​ ​field​ ​or​ ​a​ ​re-verb​ ​the​ ​process​ ​of​ ​abstraction​ ​is​ ​ultimately​ ​an​ ​extension of​ ​the​ ​customary​ ​room​ ​with​ ​a​ ​view,​ ​a​ ​suicide​ ​of​ ​the​ ​now,​ ​a​ ​stage-death​ ​that​ ​just​ ​stood​ ​up​ ​for​ ​the​ ​encore.

    #YOLO

    Text​ ​by​ ​Penny​ ​Rafferty

    Maximilian​ ​Arnold,​ ​Marco​ ​Bruzzone,​ ​Stefan​ ​Behlau,​ Jessica​ ​Groome,​ ​​ ​​David​ ​Gaupp-Maier,​ ​​​ ​Nicholas​ ​Pittman,​ ​Johannes Mundinger,​ ​​Juliana​ ​Cerqueira​ ​Leite,​​ ​Duncan​ ​Passmore,​ ​Mickael Marman,​ ​Marlene​ ​Stark​ ​and​ ​Jonas​ ​Schoeneberg.

    Musical​ ​Score​ ​by​ ​Kashev
    Curated​ ​by​ ​Penny​ ​Rafferty

    ---------------

    Includes unlimited streaming of CORE REMISSION via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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anon:​ ​abstraction​ ​is​ ​an​ ​objective​ ​for​ ​life​ ​patterning
anon:​ ​production​ ​is​ ​what​ ​oils​ ​the​ ​gesture​ ​of​ ​the​ ​social
anon:​ ​YOLO​ ​♥

***

Abstraction​ ​as​ ​a​ ​hyper​ ​material​ ​enables​ ​a​ ​meta​ ​existence​ ​of​ ​motion,​ ​CORE​ ​REMISSION​ ​will unpack​ ​this​ ​notion​ ​through​ ​the​ ​mediums​ ​of​ ​painting​ ​and​ ​techno.

Abstraction​ ​modulates​ ​reality,​ ​yet​ ​to​ ​enact​ ​it​ ​collectively​ ​it​ ​requires​ ​a​ ​physical​ ​field.​ ​The​ ​architecture​ ​of clubs​ ​and​ ​galleries​ ​often​ ​offer​ ​this​ ​territory.​ ​A​ ​public​ ​cube​ ​is​ ​always​ ​a​ ​place​ ​of​ ​latent​ ​potentials:​ ​near visibility,​ ​against​ ​almost​ ​constraint.​ ​One​ ​could​ ​liken​ ​these​ ​sites​ ​of​ ​collectivity,​ ​i.e.​ ​the​ ​club,​ ​the​ ​gallery,​ ​the cinema​ ​to​ ​voluntary​ ​prison​ ​cells​ ​for​ ​those​ ​seeking​ ​a​ ​moment​ ​of​ ​abstract​ ​hyper​ ​density​ ​outside​ ​of​ ​their constructed​ ​reality.

YOLO​ ​often​ ​comes​ ​to​ ​mind​ ​when​ ​I​ ​think​ ​of​ ​abstraction.​ ​Thousands​ ​of​ ​novel​ ​or​ ​risky​ ​acts​ ​becoming reduced​ ​to​ ​a​ ​universal​ ​(un)unique​ ​after​ ​sound:​ ​YOLO.​ ​This​ ​neo-word,​ ​YOLO​ ​is​ ​both​ ​coltish​ ​and​ ​euphoric, as​ ​is​ ​any​ ​scene​ ​slang.​ ​The​ ​word​ ​seems​ ​to​ ​have​ ​hijacked​ ​both​ ​yellow​ ​and​ ​hello,​ ​mashing​ ​them​ ​into​ ​a hyper​ ​density​ ​gesture.​ ​A​ ​bold​ ​linguistic​ ​action.​ ​It​ ​renders​ ​both​ ​a​ ​moment​ ​of​ ​adrenaline​ ​and​ ​resignation​ ​into a​ ​cute​ ​contemporary​ ​cipher.​ ​The​ ​act​ ​requires​ ​a​ ​desire​ ​to​ ​become​ ​YOLO.​ ​Desire​ ​must​ ​bleed​ ​between​ ​life and​ ​the​ ​abstract.​ ​Knotting​ ​into​ ​turbulence,​ ​ruptures,​ ​and​ ​autonomous​ ​functioning​ ​cells​ ​to​ ​be​ ​able​ ​to​ ​exist.

We​ ​can​ ​at​ ​this​ ​point​ ​likened​ ​desire​ ​to​ ​a​ ​scripted​ ​life​ ​scenario​ ​and​ ​abstraction​ ​as​ ​the​ ​overlay​ ​of​ ​all​ ​possible realities​ ​of​ ​the​ ​plot.​ ​Eventually,​ ​the​ ​script​ ​will​ ​turn​ ​into​ ​clandestine​ ​gossip,​ ​and​ ​we​ ​all​ ​know​ ​gossip​ ​is​ ​more stimulating​ ​than​ ​life.

An​ ​exhibition​ ​or​ ​set​ ​list​ ​by​ ​its​ ​very​ ​nature​ ​is​ ​temporary​ ​and​ ​queer,​ ​much​ ​like​ ​gossip​ ​thus​ ​it​ ​remains​ ​a functional​ ​proposition.​ ​Be​ ​it​ ​a​ ​colour​ ​field​ ​or​ ​a​ ​re-verb​ ​the​ ​process​ ​of​ ​abstraction​ ​is​ ​ultimately​ ​an​ ​extension of​ ​the​ ​customary​ ​room​ ​with​ ​a​ ​view,​ ​a​ ​suicide​ ​of​ ​the​ ​now,​ ​a​ ​stage-death​ ​that​ ​just​ ​stood​ ​up​ ​for​ ​the​ ​encore.

#YOLO

Text​ ​by​ ​Penny​ ​Rafferty

credits

from CORE REMISSION, released September 30, 2017
Maximilian​ ​Arnold,​ ​Marco​ ​Bruzzone,​ ​Stefan​ ​Behlau,​ Jessica​ ​Groome,​ ​​ ​​David​ ​Gaupp-Maier,​ ​​​ ​Nicholas​ ​Pittman,​ ​Johannes Mundinger,​ ​​Juliana​ ​Cerqueira​ ​Leite,​​ ​Duncan​ ​Passmore,​ ​Mickael Marman,​ ​Marlene​ ​Stark​ ​and​ ​Jonas​ ​Schoeneberg.

Musical​ ​Score​ ​by​ ​Kashev
Curated​ ​by​ ​Penny​ ​Rafferty

---------------

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Maturre Berlin, Germany

Maturre has been founded in 2016 by James Verhille aka Vonverhille and releases limited edition of tapes and vinyls exploring electronic music in its multiple forms.

The label acts as a grounding pillar for Gr_und, an Artist Run Experiential Space based in Berlin (Wedding) and collaborates with the artists gravitating around, through their artworks & experiments. (gr-und.com)
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